The excellent news is that Dolby Atmos music on the Period 300 usually sounds actually good. I have been skeptical of spatial audio up to now, discovering it to typically be gimmicky: artificially broad soundstages, devices and singers positioned to showcase the know-how moderately than emphasize the music, and distractions like head monitoring. Usually it simply feels prefer it’s attempting too laborious, just like the early days of encompass sound the place motion pictures weren’t full with out a helicopter buzzing simply over your head.
Sonos’ taste of Atmos feels extra pure, although, in fact, we’re working with loads of variables right here: what you hear will rely simply as a lot on the monitor’s producers because the Period 300. Nonetheless, typically, spatial audio feels extra encompassing, just like the musicians and singers are arrayed out on a stage in entrance of you, moderately than coming from a single, tighter level.
You discover it most when flipping between spatial and stereo tracks. The previous really feel airier and costlier; much less like they’re overlapping of their complexity. Once more, it isn’t a dramatic impact, and I do not suppose I might need it to be: individuals I performed Atmos music to did not instantly begin wanting round, questioning the place I might hidden the additional audio system, however they did agree that it felt extra immersive than the stereo tracks did.